It's in such small moments that Jarmusch allows his audience to determine the meaning of these scenes and this collection of stories. But where the first two sections of this triptych are about relatively strained relationships, the final is a warm portrait of almost supernatural closeness.
And, although it is difficult to find references to knocking wood for good luck before the nineteenth century, it turns out that this is not the case for touching iron — the “tocca ferro” of Italy, shown above.
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23:08, 27 февраля 2026Бывший СССР
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